Since January of 2024, I have been part of the Celia Ipiotis’ Eye on the Arts/Eye on Dance dance criticism team. I have reviewed over 30 performances and counting across the New York City landscape, from some of the biggest names in Contemporary and Classical Dance, to avant-garde Dance-Theater artists. These reviews have immersed me into the city’s arts scene, alongside my own performing career as a professional dancer.
In college, I was a staff writer for an Elite chapter of HerCampus, the leading media platform for college women covering topics like pop culture, wellness, style, politics, health, and more. I also later joined the media staff, organizing and running our social platforms.
I was also a part of the editorial team for Strike Magazine, the nation’s largest student-run publication, as well as Clutch Magazine. Across 14 cities in the US, Strike has published 134 print magazines and over 3,000 digital pieces, as well as garnered over 50,000 followers across social media platforms. Focusing on culture, fashion, and art Strike cultivated a creative community and provided a 360 professional experience in all facets of content production.
Wim Vandekeybus Infamous Offspring
Review by Emma Edy Morris
Wim Vandekeybus’s Infamous Offspring agitated even the avante garde European scene of contemporary dance theater. Read More
YYDC in Elsewhere
Review by Emma Edy Morris
Women Move the World, the 2025/2026 92NY Harkness Dance Mainstage Series created, curated, and choreographed entirely by women, Read more
Gallim Mother
Review by Emma Edy Morris
Mother marked the return of Andrea Miller’s evening length works, the first since 2018. Premiering at the Joyce Theater in Chelsea, a masterpiece, Read More
Rashaun Mitchell + Silas Riener’s Open Machine
Review by Emma Edy Morris
Signaling fall, institutions have leaped into their newest seasons and are back in the production swing. NYU Skirball’s Opening Night hosted the World Premiere of Rashaun Mitchell + Silas Riener’s Open Machine. Read more